Showtime!

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Way back in February, Grade 6 students at Dinjerra Primary School began their investigation into the subject of volunteering. If you recall, there were some important questions to be answered in the course of this hard-hitting journalism project. Questions such as ‘can you volunteer to help yourself?’

Well, this week the hard-hitting expose on volunteerism in the west delighted crowds at the Sun Theatre, where Put Your Hands in the Air had a premiere screening as part of National Volunteer Week 2013.

And tell you what, this premiere had it all. Slapstick stand-up, serious background pieces and incisive interviews – watch out Cannes! Thanks to all the volunteers who (double) volunteered their time to be interviewed for the project, and to all the special guest presenters who shared their journalism and production knowledge.

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You’ll all be pleased to know that the students of Dinjerra Primary now have a perfect understanding of the roles volunteers play, as evidenced by this vox pop conducted afterwards:

Q. Would you like to be a volunteer yourself?

A. Yes, yes I would, I want to volunteer for the airforce, because I want to be a pilot.

Thanks for that. We shall update our list of volunteer qualities to the following: good, tidy superheroes who donate their time flying airplanes.

Stay tuned for the digital broadcast of the wonderful interviews filmed by the students.

Put Your Hands in the Air was delivered by 100 Story Building and Volunteer West as part of Maribyrnong City Council’s volunteerism@Maribyrnong initiative.

Speaking of volunteers, would you like to volunteer with us? We’re having a get-together to celebrate National Volunteer Week, and welcome anyone who is interested in finding out more about our work.

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Volunteer Meet and Greet, Friday 17 May

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Are you interested in volunteering with us? Want to find out more about what 100 Story Building does? Find yourself at a loose end in the western ‘burbs next Friday evening? It’s National Volunteer Week, 13-19th May, so really the perfect time to have a chat, a drink and see what this volunteering caper involves. Come say hello!

What: Meet and Greet

Where: The Reverence, 28 Napier St, Footscray

When: Friday 17th May, 6pm-8pm

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Q&A: Alice Pung, ‘Bogasian’.

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Alice Pung: award-winning author, inspiring speaker, 100 Story Building ambassador and ‘Bogasian’ shares with us her thoughts about writing memoirs.

Both of your books are memoirs. What drew you to writing memoir? 

I never started out deciding to write memoir. I set out to write family stories, of the sort pioneered by Maxine Hong Kingston. I was only nineteen at the time and just beginning to realise that Asians had a voice in literature that went beyond the stories of immense, stoic Wild Swans sort of narrative. I realised we could write stories that were joyful, witty, scatological, inventive. Not full of the usual metaphors about leaves and fans and gendered oppression. So I wrote short stories about my family and when my first book was published six years later, it was called a memoir. I’m glad it was because at that time people were really into memoirs, and so many people read a narrative about a distinctly Chinese-Cambodian Australian family and realised that we were not some kind of ‘other’. If anything, we were a mixture of Asian and Bogan. We were Bogasians, and my first book was praised for being so ‘Australian’.

Do you have an audience in mind when you write?

I first started just writing for someone like myself. When you first write, it is intensely private and personal and you think no one will ever read it. So there was a great sense of freedom and playfulness in it, and the sort of earnest rabid intensity you have in your early twenties. But it was very hard to write my second book, Her Father’s Daughter, because I was no longer a nineteen-year-old narrator but twenty-nine.

Is there a question or a problem you are trying to address in your writing?

In my writing the questions I try and answer relate all to character. What makes a father? How well do we know our parents? What things would you hide from your children to protect them? What expectations do you have for your kids? And more importantly, what are the multitudinous ways we express love?

Your second book, Her Father’s Daughter, shares some particularly harrowing family stories. Was there resistance from your family to these stories being told? 

My family have been very supportive. They give my books away as presents even though they are the main characters in them – or perhaps especially because of that!

Are you a memoir reader as well? What are you seeking when you read memoirs?

I love reading memoirs. A recent one I read that I found really moving was one I found in a Salvos store, Still Me, Christopher Reeve’s autobiography. You’d expect a memoir like that to be full of Hollywood Cliches because of his background, but he was a university-educated theatre actor before he was Superman, with a very rich internal life before Hollywood; and because his internal life was so furnished, after his accident he could still be a man of incredibly interesting thoughts.

 

Want to learn more about memoir writing? Alice will be conducting a 100 Story Studio class, Tracing the Past: Writing Memoir, on Saturday 18 May at The Wheeler Centre. Places are limited, book now!

And thanks to the good folk of Black Inc., we’ve got a copy of the amazing Her Father’s Daughter to giveaway. To win, simply share with us via Twitter, Facebook or Google+ the answer to this question: what is your favourite memoir and why? #100SB. UPDATE: Sorry folks, this giveaway has already been given away! Get in quick next time. 

 

 

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Paper Fire

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Pick up a piece of scrap paper. You’ll have to do this in the correct order, so read these instructions first. You’re going to slowly scrunch the piece of paper in your hands, letting it crease and fold and move and crunch. Now, close your eyes and listen carefully as you do this.

What does it sound like? A piece of paper being scrunched? Yeah, alright, it does sound a bit papery, but also a bit like a crackling fire, right? We hear that cellophane actually is what the pros on old radio plays used to simulate the sound of fire, but who uses cellophane these days, huh?

On Monday, one very excited Footscray Primary School class boarded the train for a visit to the SYN Media office and their first Paper Fire workshop.

Paper Fire brings together young mentors from SYN Media and Express Media, and a class of upper-primary students, in a series of workshops exploring and creating radio plays. The group began with ideas about what a radio play was, what kinds of narratives would be best suited and what tools could be used to create sound effects (cue armpits, farty squishy toys and DJ equipment). They then set out to create a scene involving a flatulent tortoise.

Mason, one of the SYN mentors, shared with us his experience. His group ended up making a great saga about the tortoise being tricked by his enemy, which was a snake disguised as the tortoise’s best friend (also a snake), into eating a match, then farting and blowing up a football stadium. Meanwhile the tortoise’s nemesis, the hare, was stealing carrots from students at SYN who were too busy making a story. Very meta.

Meta indeed.

And what would a radio play workshop be without a stint in an actual radio studio? Thanks to Tim and Mason from SYN, the class tried out their best on-air voices, and even recorded a toaster rap.

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Paper Fire is a partnership between 100 Story Building, SYN Media and Express Media. This project is made possible by funding from the Community Broadcasting Foundation.

Like Paper Fire and projects like it? Support us by donating, subscribing, buying a book or taking a masterclass!

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Brotchie In Da Building!

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We’re thrilled to announce that we’ll have our very own artist-in-residence this year.

Emerging artist Stephanie Brotchie will work with 100 Story Building to create a collaborative documentary and storytelling podcast with staff, volunteers and the children and young people of 100 Story Building. The podcast will be produced fortnightly and will share, showcase and document stories by and about people in the 100 Story Building community in a fun, creative, informative and accessible way.

That’s the official line. Now for the real story.

Stephanie and 100 Story Building go waaaay back. She’s been a Pigeons co-author, an early harvest contributor, an In Other Words workshop volunteer and a champion of our programs. Our fond memories of Stephanie’s contributions to our programs include the time she met her Pigeon Letters co-author, Caitlin, at the Pigeons Stories in the Post launch. They had been exchanging letters and created a collaborative short story together, but this was their first meeting. Caitlin was so excited that she almost pushed Stephanie into the  Maribyrnong River.

Stephanie is also an multi-award winning artist whose work spans comedy, theatre, literature, live art, creative production and visual art. She is a co-founder (with Vachel Spirason) of Slow Clap Productions and loves creating interactive work specifically for young people.

Welcome to the hood (for real) Stephanie! We can’t wait to get storytelling together.

Stephanie Brotchie will be an artist-in-residence courtesy of an Early Career Residencies grant from the Australia Council.

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